Tuesday, September 17, 2019
Have you ever tried making yourself believe of the things that werenÃ¢â¬â¢t actually real? Well, if you did, then that was a normal thing experienced by others, experienced by you and experienced by me. False-hope. That was the right term to be used for those people who are keep on holding on to promises which they thought it will happen soon, tomorrow, the next day until the next-next-next days and ever. False-hope is a vague incidence. It was an untrue declaration of testimony uttered by those people who are good of making promises yet canÃ¢â¬â¢t stand for it. Promises. Promises and false-hope are then supplementary to each other. Because if there are no promises that has been said, then there will be no someone who will continuously keep an eye for such pledges. There will be no someone who will keep on waiting for unclear tomorrows. And there will be no someone whoÃ¢â¬â¢ll just be an innocent believer of all of those promises. Well, the very purpose why I wrote this article is to express my thoughts of believing so many things which are then things that were set to be forgotten. I myself is amenable that IÃ¢â¬â¢ve always been a victim of this uncertain thing. But then, I just accepted those things . And so, IÃ¢â¬â¢ve come to a point of putting this into this piece of writing. Actually, IÃ¢â¬â¢m not feeling bad due to failed promises of so many people surround me. I just wrote this because I do believe that IÃ¢â¬â¢m not the only one who had experienced such thing. For a broader perspective, itÃ¢â¬â¢s not intentional. It happens because others didnÃ¢â¬â¢t want their belongings to directly lose their hope. It happens because they also thought that they could provide the things they promised to give yet after times of reaching to make it possible, still they wonÃ¢â¬â¢t be able to do so. Sometimes, people didnÃ¢â¬â¢t intend to bring false-hope. ItÃ¢â¬â¢s just that their capacity to fulfill their promises was not enough. But then, on the other hand, some tend to do this just to let other hope for nothing. Just like for example, a courtship between a lady and a gentleman. There are many times where guys had expected their dreamed girls to give them their awaited-yes answer. TheyÃ¢â¬â¢ve tried so hard to prove them theyÃ¢â¬â¢re deserving. Yet at the end, theyÃ¢â¬â¢ll end up disappointed. At home, I know weÃ¢â¬â¢ve been encountering this one often times. You might got excited because youÃ¢â¬â¢ll be going out somewhere with your family but it will just be postponed due to so many reasons either valid or invalid reasons. You might expect something from someone but expectations will just fail. There are still so many instances where false-hope was its ending application. And this is actually normal as I said on the first part. And I guess, there is only one certain thing we must do in order not to be a victim of this over and over again. DonÃ¢â¬â¢t believe too much. I didnÃ¢â¬â¢t mean of losing your trust to someone or to be a negative thinker. What I mean is donÃ¢â¬â¢t be 100% sure of the things being promised to you. Just expect for both sides. Just think that it might happen and it might not. Because the more that you expect the more that it will bring you failures. Ã¢â¬ËThough we must always expect for the best but as I said we have to expect for both side. Well, IÃ¢â¬â¢ll end up saying Ã¢â¬Å"Any man can make mistakes, but only an idiot persists in his error. Ã¢â¬ By Cicero. Thanks for reading anyway. False Hope Leanne Whittemore Lecturer: John McDonough ENGL 299-014 02/21/2013 Essay #1 False Hope The characters in The Glass Menagerie all hope for a better future which is filled with success and happiness. This hope flickers throughout the play and is finally put out all together in the closing actions of the play. In The Glass Menagerie by Tennessee Williams, this sense of hope is symbolized by light. It is shown in the very descriptive stage directions, the specific objects pertaining to light like candles and lamps, and by the colorful images of rainbows throughout the play.While providing the characters with actions the very descriptive stage directions also provide a sense of emotions for them to act out. In scene six while Laura and Amanda are waiting excitingly for Jim to come over, WilliamÃ¢â¬â¢s describes Laura as being Ã¢â¬Å"piece of translucent glass touched by light, given a momentary radiance, not actual, not lastingÃ¢â¬ (1748). WilliamÃ¢â¬â¢s uses this idea of light to describe LauraÃ¢â¬â¢s emotions and feelings during this scene. By stating Laura was Ã¢â¬Å"given a momentary radianceÃ¢â¬ WilliamsÃ¢â¬â¢ illustrates LauraÃ¢â¬â¢s hope of finding someone to love.In scene seven, when Laura and Jim are talking, Williams uses descriptive stage directions to describe LauraÃ¢â¬â¢s feeling of hope in regard to light. This happens right around the time that Jim attempts to being engaged. The directions say that Jim smiles at Laura Ã¢â¬Å"with a warmth and charm whichÃ lightsÃ her inwardlyÃ¢â¬ (1762). Then, when she finds out that Jim is engaged, the stage directions describe how the Ã¢â¬Å"holy candles on the altar of Laura's face have been snuffled outÃ¢â¬ (1768). Both descriptions show hope in Laura, while one is her hope that Jim is single, and the other being her hope being destroyed when she finds out that he is not.From the beginning, the directions, as well as the dialogue, directly tell the readers that the play is dimly lighted (1723). Then in the beginning of the final scene, all the lights go out (because Tom has not paid the electric bill), and the only lighting left on stage is candlelight. Through the use of light in the play, it is clear that the play does not leave the characters looking towards the bright hope of their future, but realizing their dim reality. For Amanda, her new floor lamp represents her hope for the future.In the fifth scene, when Tom says that Jim is coming over, Amanda states that she has been paying for a brand new floor lamp that she will have sent out for the occasion (1744). By the sixth scene, before Jim arrives, the new lamp, Ã¢â¬Å"with its rose silk shadeÃ¢â¬ is put in the living room (1747), symbolizing her hope for Jim to come back. This hope turns out to be pointless, which Amanda recognizes by stating that Ã¢â¬Å"all the expenseÃ¢â¬ has basically been for nothing, and the first one she lists is Ã¢â¬Å"the new floor lampÃ¢â¬ (1771).The new lamp is a symbol o f hope to Amanda, and its presence in her living room when Jim arrives makes her feel that there is hope for Laura and Jim. Like all other hope in the play, it was a useless, waste of time and energy At the end of the play when Tom is finishing his dialogue , the symbol of hope turns to Laura's candles. Tom speaks as if to Laura, Ã¢â¬Å"I reach for a cigarette, I cross the street, I run into the movies or a bar, I buy a drink, I speak to the nearest stranger- anything that can blow your candles out! Ã¢â¬ (1772).Tom interprets these candles as Laura's hope, which he canÃ¢â¬â¢t seem to get out of his brain. He doesnÃ¢â¬â¢t want the family to suffer dealing with false hope any longer. He sees the world as a dark and stormy place, by saying Ã¢â¬Å"For nowadays the world is lit by lightning! Blow out your candles, Laura- and so goodbyeÃ¢â¬ ¦Ã¢â¬ (1772). Then Laura actually blows out the candles, extinguishing the final light and making the stage become dark and lonely. This sy mbolizes not only a goodbye to Tom, but also saying goodbye to the hope of love and a brighter future for the Wingfield family.In an essay titled Ã¢â¬Å"Williams' The Glass Menagerie,Ã¢â¬ Bert Cardullo comments that, when Laura blows the candles out, Ã¢â¬Å"The implication is that no gentleman caller will ever enter her life againÃ¢â¬ (11), which, truly means that hope will never again enter Amanda and LauraÃ¢â¬â¢s lonely lives. The symbol of the rainbow in The Glass Menagerie shows the illusion of hope or false hope. Right when the characters almost reach what they hoped for it always seems to disappear. LauraÃ¢â¬â¢s fragile glass animals are used to show this sense of false hope.In the seventh scene, when Laura is talking to Jim, she shows Jim the glass unicorn and says, Ã¢â¬Å"Hold him over the light, he loves the light! You see how the light shines through him? Ã¢â¬ (1764). . As Jim holds the unicorn and comments Ã¢â¬Å"It sure does shine,Ã¢â¬ one can imagine the rainbow ray that the unicorn creates. This unicorn comes to symbolize the love that Laura has been waiting all her life for. This love Ã¢â¬Å"comes to her, however fleetingly, in the person of JimÃ¢â¬ (Cardullo 3). However, like the rainbow light of the glass unicorn, this hope of love is just an illusion.Tom mentions rainbows again in his final words as he describes how he abandons Amanda and Laura, he says, Ã¢â¬Å"I pass the lighted window of a shop whereÃ perfumeÃ is sold. The window is filled with pieces of colored glass, tiny transparent bottles in delicate colors, like bits of a shattered rainbow. Ã¢â¬ The image of a shattered rainbow fits perfectly with TomÃ¢â¬â¢s closing words due to the fact that TomÃ¢â¬â¢s abandonment from the family seems to shatter any type of hope the Wingfield family had.WilliamsÃ¢â¬â¢ last directions to make the stage completely dark seem like a symbol of the future of the Wingfield family; dark and lonely. As far as Amanda sees it, w ithout a man to take care of her and Laura they left with nothing but loneliness. Laura will never be able to work; Tom left his family behind, and it seems that no Ã¢â¬Å"suitorÃ¢â¬ will ever enter the women's lives again. Cardullo notes that, Ã¢â¬Å"The character of Tom is based in part on Tennessee Williams himself, and Laura is modeled after Williams' beloved sister, RoseÃ¢â¬ (12).Since the play is autobiographical, it has the feeling that Williams is attempting to show us the readers something that happened in his past, implying that hope never did come to this family. When the lights go out at the end of the play, it is dark for good. Works Cited Cardullo, Bert. Ã¢â¬Å"Williams's The Glass Menagerie. Ã¢â¬ The Explicator. 22 March 1997. . paragraphs 1-12. Williams, Tennessee. The Glass Menagerie. Ed. Robert DiYanni. Literature: Reading Fiction, Poetry, and Drama. 6th ed. Boston: McGraw-Hill, 2007. 1718-1773.